Oh Hey There

“The final world-shattering salvo of the Loudness War”: Here’s the waveform of the first minute of Sleigh Bells “Crown on the Ground”.

Notes:

1. bclikesyou liked this
2. morepeanuts reblogged this from hardcorefornerds and added:

   dug up from a few weeks ago and reblogged for dylan.

3. inky liked this
4. sunshadowpoet reblogged this from abloodymess and added:

   Excellent bringing this up, and Owen of course provided an excellent citation for this.

5. kingofalldetectives liked this
6. unbornwhiskey liked this
7. somethingmeaningful liked this
8. blurdylanblur reblogged this from fuckyeahemo and added:

   The biggest failure of this is that digital clipping doesn’t create a “good” kind of distortion like analog recording...

9. perpetualweirdo reblogged this from abloodymess and added:

   that song hurts.

10. lylynn liked this
11. abloodymess reblogged this from hardcorefornerds and added:

    Bob Weston has a great bit about the whole loudness wars up on his mastering company’s website.

12. fuckyeahemo reblogged this from hardcorefornerds and added:

    Crush, expand, crush, expand; louder, louder, louder; destruction, lifeless It destroys me

13. hardcorefornerds reblogged this from fleetfootedfox and added:

    but clipping (or, at least, serious deterioration of sound quality) is already an effect of distortion, when you listen...

14. yvynyl liked this
15. skelly liked this
16. superdoofus-stratodrive reblogged this from fleetfootedfox
17. fleetfootedfox reblogged this from tristn and added:

    Ohmygod. It’s clipping-as-distortion-effect.

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22. tristn posted this